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Holt at Mango Tree was electric

Advertorial 2 04 Jan, 2018 Follow News

Holt at Mango Tree was electric

When John Holt performed in Cayman at Mango Tree in November 2012 the place was packed, naturally. He was reggae royalty and it was no wonder a diverse crowd came out en masse. It was organised by local DJ Super C who did an admiral job. We all sang in unison to virtually every word he crooned. His performance was electric.


Despite little preparation with the local band, “Sir John” mesmerised his admirers running through a long medley of his huge catalogue of classics. Sadly, his set was cut short. Being the gentleman that he is, the genial Jamaican came off stage to allow the supporting artist a decent set. He could have sung all night and no one would have left, so fantastic was he. Little did we know that would be his last time on these shores. Two years later Holt, who looked frail that night, passed away in London, of colon cancer, aged 67.


It was a rich and extremely fulfilling journey for John Kenneth Holt who first found fame as a member of The Paragons, before establishing himself as a solo artist.


He was born in the Greenwich Farm area of Kingston, in 1947. His mother Amy was a nurse. By the age of 12, he was a regular entrant in talent contests run at Jamaican theatres by Vere Johns, winning 28 contests, some broadcast live on Radio Jamaica. He recorded his first single in 1963 with ‘Forever I'll Stay’/’I Cried a Tear’ and also recorded a duet with Alton Ellis, ‘Rum Bumper’.


In 1965 Holt joined Bob Andy, Garth "Tyrone" Evans, and Junior Menz in their group the Binders. Menz departed to be replaced by Howard Barrett and they changed their name to the Paragons. They initially recorded for Clement "Coxsone" Dodd's Studio One before cutting a succession of singles for rival Duke Reid at his Treasure Isle Studio in the rocksteady era of 1966–68.


They enjoyed a string of hits, including ‘Ali Baba’, ‘Tonight’, ‘I See Your Face’, and the Holt-penned ‘The Tide Is High’ which was later an international hit for by Blondie and also successfully covered by British girl group Atomic Kitten.


‘Wear You to the Ball’ was another of his hits with the Paragons, and it made the charts again when U-Roy recorded a deejay version over it. With Andy having left early on, the departures of Barrett (in 1969) and Evans (in 1970), who had both won scholarships in the US, brought the group to an end.


Holt needn’t worry, his shining talent would carry him through a solo career, recording for Prince Buster (‘Oh Girl’, ‘Rain From the Skies’), Reid (‘Stealing Stealing’, ‘Ali Baba’), Dodd (including ‘Fancy Make-up’, ‘A Love I Can Feel’, ‘Let's Build Our Dreams’ and ‘OK Fred’), Alvin Ranglin (‘Strange Things’), and Phil Pratt (‘My Heart Is Gone’).


By the early 1970s, he was one of reggae’s biggest stars, and his work with producer Bunny Lee was key to his success. ‘Stick By Me’ was the biggest selling Jamaican record of 1972. His 1973 Harry Mudie-produced album, Time Is The Master, was successful, with orchestral arrangements recorded in London. The success of the string-laden reggae led to Trojan Records issuing a series of similarly arranged albums produced by Tony Ashfield starting with the 1,000 Volts of Holt in 1973, a compilation of Holt's reggae cover versions of popular hits (and later followed by similarly named releases up to the Lee-produced 3,000 Volts of Holt). 1,000 Volts spawned the UK Top 10 hit ‘Help Me Make It Through the Night’ (written by Kris Kristofferson), which peaked at number 6, and included covers of Billy Joel's ‘Just the Way You Are’ and ‘Touch Me in the Morning’ by Diana Ross.


Holt had success back in Jamaica in 1976 with ‘Up Park Camp’ and his success continued into the 1980s with tracks such as ‘Police in Helicopter’ and ‘Fat She Fat’ and a standout appearance at the 1982 Reggae Sunsplash festival.


‘Police in Helicopter’ was a condemnation of the Jamaican government's crackdown on marijuana plantations. The cover to the album single pictured Holt growing locks and a beard, an indication of the increasing importance of Rastafari in his life. He continued to tour regularly, performed several times at Sunsplash in the 1990s, and performed in the United Kingdom with the Royal Philharmonic Concert Orchestra, with a live album taken from these shows released in 2001.


In 2004 Holt was awarded the Order of Distinction (Commander Class) by the Jamaican government for his contribution to Jamaican music.


His style, notably slower and more romantic than most of his contemporaries, is a recognisable forerunner of the lovers rock subgenre.


His song ‘Man Next Door’ has been covered by numerous artists, including Dennis Brown, UB40 and Horace Andy.


Having been taken ill at the One Love Festival on Aug. 16 August, Holt died on Oct. 19 2014 in the Wellington Hospital in London. He had been diagnosed with colon cancer in June 2014. He is survived by his wife Valerie, 12 children, and 25 grandchildren.


His funeral took place on Nov. 17 at Holy Trinity Cathedral in Kingston, and featured performances by a host of reggae icons, including U-Roy, Tinga Stewart, Boris Gardiner, George Nooks, Luciano, Carlene Davis, Ken Boothe, and members of Holt's family, backed by Lloyd Parks and the We the People Band. Exceptional send off for an exceptional talent.

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